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gregh  2007-09-05 23:04         

Touchscreen, WiFi, Safari...

No Mail? And still no iChat?

I'm this close (-> <-)... But Apple's going to have to remedy the shortcomings.

(Sorry for the sporadic blog posting; I'm way behind on a school project. Ironically, FeedBurner shows my subscriptions rising with my irregular posting.)

gregh  2007-07-05 21:56           

In response to my last post, the New York Times' David Pogue tells me how to feel: "What is a man? What has he got? If not iPhone, then he's got squat."

*sniff*

gregh  2007-06-09 20:22         

I picked up a new 15" MacBook Pro yesterday.

Today, I've been setting some things up and migrating myself from the 12" PowerBook. I used the Migration Assistant for most of that, which was reasonably effective. However, there were things that I'd prefer to get rid of, so I've been cleaning up. Then there are things that need to have their license keys migrated, so I've been taking care of that. Finally, there was the handful of non-Universal binaries that I needed to replace.

Now, I'm up and running.

The screen on this new puppy (one of the LED-backlit screens) is phenomenal. At 1440 pixels wide, it's wider than my external display, which is humorous. At only 900 high, it's not as tall as the 1024 of the external display. All told, however, it's a better situation than with my PowerBook.

Why the change? Well, I've been writing a whole lot more lately, and I've found dealing with large documents on the tiny screen has been overwhelming. While I can often focus while at home with my larger external display, often times I cannot, and I go into school. Trying to deal with a 40-page paper on a 12" display was just too much. Then there was the screen that has had a yellow line down the middle since just after the warranty expired a little over a year ago. Plus, of course, I wanted something new.

Negatives so far? Well, the screen doesn't rotate back as far as the Powerbook, so it doesn't work too well with my Kensington Laptop Desktop stand. Second, I've now got connectors on both sides -- power on the left, DVI, FireWire, and USB on the right -- when I'm at home, I always hook up the DVI and the external keyboard and trackball.

Finally, it may look geeky wandering around with this, but I was hell-bent that this thing was going to be protected from the beatings that my two prior laptops have taken. I picked up new case to go along with it.

gregh  2007-04-02 03:27           

I couldn't sleep, so here I sit listening to the EMI/Apple press conference:

  • Come May, the entire EMI library will be available on the iTunes Music Store, as MP3sunencumbered AACs, for $1.29 each.
  • iTunes customers will be able to upgrade their current EMI iTunes purchases to the premium MP3s for $0.30 per item.
  • Albums in MP3AAC will be sold at the current prices.
  • Apple estimates that over half of the DRM-protected tracks on the iTMS will be available unencumbered by the end of the year.
  • To accommodate the multiple pricing levels, users will set a preference as to what quality the user wants.
  • Existing iTMS library, with DRM-encumbered songs, will remain.

I must've misseddid miss the bitrate of the new encoding. TechCrunch says 256k.

gregh  2007-02-06 11:21           

Written by a man who's clearly confident in the position of his company in the marketplace, Steve Jobs writes about why music is sold with DRMs, and how Apple would embrace a marketplace without DRMs. More importantly, he gives a reasonable explanation for why Apple won't license FairPlay to other device makers, and suggests reasons why Microsoft was forced to go its own way with Zune's DRM.

Why would the big four music companies agree to let Apple and others distribute their music without using DRM systems to protect it? The simplest answer is because DRMs haven’t worked, and may never work, to halt music piracy. Though the big four music companies require that all their music sold online be protected with DRMs, these same music companies continue to sell billions of CDs a year which contain completely unprotected music. That’s right! No DRM system was ever developed for the CD, so all the music distributed on CDs can be easily uploaded to the Internet, then (illegally) downloaded and played on any computer or player.

In 2006, under 2 billion DRM-protected songs were sold worldwide by online stores, while over 20 billion songs were sold completely DRM-free and unprotected on CDs by the music companies themselves. The music companies sell the vast majority of their music DRM-free, and show no signs of changing this behavior, since the overwhelming majority of their revenues depend on selling CDs which must play in CD players that support no DRM system.

So if the music companies are selling over 90 percent of their music DRM-free, what benefits do they get from selling the remaining small percentage of their music encumbered with a DRM system? There appear to be none. If anything, the technical expertise and overhead required to create, operate and update a DRM system has limited the number of participants selling DRM protected music. If such requirements were removed, the music industry might experience an influx of new companies willing to invest in innovative new stores and players. This can only be seen as a positive by the music companies.

Read "Thoughts on Music" for the full thing.

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